Rebellious Teens essays

Rebellious Teens essays Teenagers these days have become more violent than ever. It seems like everyday we hear about yet another high school shooting in which innocent people are being killed. In all this chaos I ask you this: What causes these adolescents to rebel?, Why did they resort to violence?, and why does it happen more now than it did when our parents were adolescents? If they are only teenagers and are already using guns to resolve their problems, can you imagine them as adults? Just the thought of it is frightening. I'm sure we all remember the Columbine High school shooting that was so terrifying, the whole country was in shock. Not too long ago, there had been another shooting in Santana High school which shook us a bit but not as much as Colorado's Columbine incident. There have been many other incidents like these that haven't gained much recognition. But why do these teenagers rebel? The Denver Post interviewed an 18 year old Trench Coat Mafia member who says that Eric Harris and Dylan Klebold (shooters in Columbine), were outcasts. He explains that they were loners and weren't accepted by their peers. According to Cnn, Andy (Santana shooter) was bullied by bigger kids because he was skinny. With all the information attained, I would have to conclude that young people rebel because of peer pressure. Whether they were rejected, bullied, out casted or thought of as loners, they did not have to resort taking other people's lives. I believe the shooters resorted to violence because it is all around them. According to the Denver Post, Eric Harris played violent games such as Doom and Duke Nukem in which you use guns to kill creatures. Above that, he had associations with the Trench Coat Mafia who were into a lot of violent crimes. Before Andy shot people in Santana High, he told over 20 people about it (including his parents), and they didn't pay much attention. (CNN) Maybe teenagers resort to violence because of the ...

Why You Cant Market A Book Youre Not 100% Proud Of An Interview

Why You Cant Market A Book Youre Not 100% Proud Of An Interview "You can’t market a book that you’re not 100% proud of" - An Interview with ex-SS editor Kiele Raymond As the Reedsy marketplace keeps growing and welcoming exceptional designers and editors, we wanted to interview one of our early â€Å"stars†, as her story is one that many East Coast editors can refer to.After five years honing her editorial skills at Simon Schuster and contributing to multiple New York Times bestsellers, Kiele Raymond eventually left traditional publishing to focus on what really matters: great content. As an editorial consultant on the beautiful New Hampshire seacoast, she helps authors fine tune their voice with detailed and constructive criticism, and especially loves working on suspense, historical and contemporary fiction, and memoir with an ethnographic twist.We’ll discuss editing careers, what â€Å"developmental editing† actually means, as well as give advice to starting authors or your editors out there.Hi Kiele, good to have you here. I really like your story because I think it’s one that many of our editors on Reedsy can rela te to: you previously worked in-house for Simon and Schuster and are now freelance and focusing on developmental editing (or editorial assessments). Did you find that this is what you were most skilled at during your time at SS?I’ll always be grateful that my publishing career started at SS because they’ve built such a strong and collaborative community of editors. From the very beginning, I was able to study the craft under the very best in the business. It’s true that the editorial department shoulders a lot of responsibility in traditional publishing. On top of acquiring impactful content and making sure each final manuscript is the best version of itself, they’re constantly advocating for their list when it comes to marketing, publicity, cover design, back cover copy, and sales placement. In fact, most actual editorial work (reading, content and line edits) happens at night or over the weekend. It’s a 24/7 kind of job – some of my very b est friends are still hustling down there in NYC and I could not admire them more.But yes, I think most book editors enter the fray because they are first and foremost passionate about developing great writing. It was certainly always my primary goal to cultivate a keen editorial eye and help authors maximize their potential. Luckily, in my new role as editorial consultant, that’s exactly where my focus lies.Do you think that developmental editing or content editing has surged in prominence since self-publishing has become more popular?Yes – I do think that self-published authors are more and more cognizant of the innumerable benefits of involving a professional. It’s also helpful that it’s getting so much easier to find us. Just a few years ago, first-time authors were hard pressed to find someone who had been in the trenches of traditional publishing. Now there are multiple avenues.I’ve seen several authors in your testimonials mention that your work was almost â€Å"intuitive†. How big is the role of intuition in an editorial consultant’s job, in your opinion? And how could starting editors develop their content editing skills?Well, I do think that a huge part of editing is the ability to listen very carefully to the author’s voice. At the end of the day, it’s their story. If something’s not working, I don’t immediately go for the cut. I figure out what they’re trying to say in that moment and work with them to make sure it has the effect they intended. It’s a little like acting – you need to inhabit the character but also bring your own experience to the table. This is especially important to me when I’m working on memoirs.Advice for future editors? Read voraciously. You can’t become fluent in storytelling if you’re not constantly studying a wide range of material. Like many of my colleagues, I majored in English Literature. It was a great introduction to the literary canon, but by the time I graduated I was woefully behind in all things contemporary. I spent many sleepless nights catching up. Like any industry, if you want to do well in the marketplace you have to know what you’re up against.Are there any differences in working with an independent/hybrid author? Does the absence of a traditional publishing structure change the way you communicate with the author?When it comes to developmental editing, my job remains largely the same. I do everything I can to make the book better. Some manuscripts do need more grunt work than others, but I’ve found that it varies just as much outside of traditional publishing as it does inside. I’ve also been lucky to consistently work with authors that are extremely open to constructive criticism. It’s always gratifying – and often surprising – to see how they incorporate my notes into the next draft.Do you still have contact with agents sin ce you left Simon   Schuster? What do you think the role of agents can be for indie authors?Yes – I also still have very close friends on the agenting side. There’s always a strong bond formed between junior agents and editors as they climb the ladder together. I do know a few agents who make it their business to seek new talent in the self-publishing community. For instance, Sempre is a book I edited at Gallery that was originally an indie bestseller before an agent snapped it up and brought it to us. I think some indie authors still harbor ambitions to see their book sold nationally in print. Agents can help them make that happen.Are there any books in your portfolio that you especially enjoyed working on?An impossible question! I will say there are a few â€Å"firsts† that hold a special place in my heart. Bruce by Peter Ames Carlin and The Girls of Atomic City by Denise Kiernan were the first books I worked on that became New York Times bestsellers. It doe sn’t hurt that both authors are great talents and great humans.I also have to give a shout out to my first acquisition – Behind the Gates of Gomorrah by Steve Seager. It’s an unbelievable story. Here’s a feature in the New York Times.In an increasingly competitive publishing landscape, what might your recommendation be for authors deciding on how to divide their budgets between editorial work and marketing?I actually got my start at SS as an intern in the marketing department in 2009 and I still write reading group guides for their book club outreach campaigns. I think both editorial and marketing professionals can wholeheartedly agree that you can’t market a book that you’re not 100% proud of. Luckily, editorial budgets can be fixed. Find an editor you trust, listen to them, and do the hard work. When you’re done, be very honest with yourself about your ideal reader and target those markets. If your book has legs, your audience will do the work for you.When I work on a book, I don’t just improve the writing until it reaches a certain standard of professionalism. I impart any and all knowledge (marketing and other) that will help the author feel equipped to send their book into the world.You are a Reedsy editor:  how important do you think it is for quality freelancers to regroup in curated communities? What is your personal goal in joining them?I think it’s vitally important for authors to have access to professionals they can trust without having to rely on the big five. Organizations like Reedsy and NY Book Editors are doing the work to make those connections by recruiting tried and true editors that are excited to offer support to authors outside the relatively insulated New York network. In turn, I’m able to work with clients that I know are as invested as I am in creating great books.Finally, if you had one word of advice for authors (mainstream, indie, hybrid) in 2015, what would it be?Listen to your editor, but trust yourself. I’ve seen the most elegant solutions come from authors who took my note and then made it their own.Learn more about the differences between  developmental editing,  copy editing and  editorial assessments through these links.What’s been your personal experience with developmental editors? Do you think regrouping in curated communities is important for freelance publishing professionals? Is editing more important than marketing? Do leave us your insights in the comments below!

Ideas for Thanksgiving Math Word Problems

Ideas for Thanksgiving Math Word Problems Thanksgiving math word problems are an easy way to infuse the November spirit of gratitude into every part of the school day. Customize these general turkey-themed concepts for whatever grade level you teach. Addition/Subtraction Mrs. Jones baked 5 pumpkin pies on Monday, 6 pumpkin pies on Tuesday, and 8 pumpkin pies on Wednesday. How many pumpkin pies did she bake altogether?Jasmine made 14 cups of butternut squash soup for Thanksgiving dinner. The family ate 9 cups of the soup at dinner. How many cups of soup were left over?Mr. Wilson went to the store to buy the food for Thanksgiving dinner. He spent $17.43 on vegetables, $32.16 on turkey and stuffing, and $12.19 on beverages. How much did Mr. Wilson spend altogether?Grandma brought two dozen cookies to Thanksgiving dinner. All but 3 were eaten that night. How many cookies were eaten?The Pilgrims sat down to the very first Thanksgiving dinner. There were 73 Pilgrims and 56 Native Americans at the table. How many people were at the table altogether? Multiplication/Division Each apple pie serves 9 people. There are 5 pies on the table. How many people will this feed?There are 32 ears of corn for 16 people. How many ears of corn can each person eat?The grocery store is selling turkeys for $7 each. They have sold 13 so far in the month of November. How much money has the store made so far in turkey sales?The pumpkin patch has 47 rows of pumpkins and 93 pumpkins in each row. How many pumpkins are there in all? Advanced/Other Lois bought three turkeys for three different prices. The prices were $18.92, $21.75, and $16.31. What is the average cost of the turkeys? Round to the nearest cent.Mike ate 1.4 pounds of food at Thanksgiving dinner. John ate 1.6 pounds. Write an inequality to compare the amount of food each boy ate. Use the less than or greater than sign.

Economic issue Assignment Example | Topics and Well Written Essays - 250 words

Economic issue - Assignment Example This is counterproductive to the developing nations whicgh are increasingly implementing free and voluntary education and healthcare provision. This has led to civil unrest due to increasing unemployment and pay cut in an effort to restore IMF’s proposed economic targets. The interest paid back by the borrowers to IMF translates to increased taxation against constant wage rate leading to higher and unaffordable living standard. This forces the citizens to go on strike for increades wages and lower commodity prices. 3. a) There is no European Monetary Union without fiscal union. The micro-economic imbalance in Euro cannot be managed without fiscal union. It is efficiency.it will make the union stable satisfactory finances. The European Monetary Union makes the union greater. Fiscal union is a major move to create great political union. The federal bodies will be administered and a central tax would become a great idea in Europe. With fiscal union the European union will have a united stand, to stop Europe’s decline in global market, an economic union must be formed. This will result to fiscal union that will otherwise raise the Europe

International risk management Assignment Example | Topics and Well Written Essays - 1250 words

International risk management - Assignment Example The paper looks at these strategies together with a contingency plan for the product we seek to develop. This strategy seeks to completely eliminate the risk of a project to level 0. With this strategy minimum allowable risk is zero (Darity, 2008). In other words risk avoidance will imply that the developers avoid undertaking the project if it has been identified to have a component of risk in it. The strategy is rarely used in risk mitigation because almost all projects to be undertaken have a risk component in them. If the strategy is employed to mitigate risk in the product, the developers will have to avoid the development of the product since it has inherent risks. Some of the inherent risks include; the power failure on the leds, the small switches failing to work, risk that the product wouldn’t gain market approval among other risks. Thus since the developers aim to go ahead with the entire project cycle, this mitigation strategy wouldn’t be advisable. Risk sharing as another mitigation strategy used as a suitable way of reducing the possible negative outcome inherent to developing a product. It is one of the most common strategies employed in risk management. Risk sharing according to Bolton and Harris (2010), is defined as a risk management strategy which aims at reducing risk exposure by ensuring that the risk component in a project is first identified. After identification, the burden of possible loss is spread among several entities, units of enterprises or other partners critical to the particular project development. This risk management method is also called risk retention. The technique is a way of self-insuring the risks taking into consideration a multiplicity of entities. In developing the product that seeks to increase the safety of those riding bikes in the urban areas either at night or in the early morning hours, risk sharing as a method of mitigating risk suggests the need to look for other entities that might be interested in

Constitutional and Administrative Law Assessed Corsework Essay

Constitutional and Administrative Law Assessed Corsework - Essay Example he principle of separation of powers assumes that certain functions should be carried out by different institutions with neither impinging the other’s authority. As Montesquieu argued; â€Å"All would be lost if the same man or the same ruling body†¦Ã¢â‚¬ ¦were to exercise these powers.3† Furthermore, Lord Acton commented that â€Å"Power tends to corrupt and absolute power corrupts absolutely4†. Accordingly, the preservation of separation of powers is essential as a check on autocratic power. As part of this, judicial review of the legality of acts of the executive represents the central method by which courts control exercise of governmental power; which in turn operates as a central underlying facet of the separation of powers. As such, the doctrine of ultra vires is theoretically vital in serving as a testament to the independence of the judiciary in its role under the fundamental constitutional separation of powers in ensuring that public bodies, such as government departments, local authorities, tribunals, agencies have not acted ultra vires5. Moreover, the ultra vires doctrine is cited as the first principle of natural justice and the rule of law that public bodies are required to act within the scope of the powers allocated to them by Parliament6. With regard to the UK position, the doctrine of the separation of powers has traditionally been limited and criticised for being somewhat unclear in comparison to other democracies7. Nevertheless, it has been commented that the doctrine does in fact influence everyday operations of the executive, legislature and judiciary8 and Barnett argues that â€Å"Separation of powers†¦Ã¢â‚¬ ¦ runs like a thread throughout the constitution of the United Kingdom9.† Nevertheless, in the UK there has not been a clear separation of the branches of the state10, but rather a fusion, which in turn has created polarised debate with regard to the need to reform the British constitution. For example, the executive clearly carries out

4 Blog posts for my business website. It's related to wedding industry Essay

4 Blog posts for my business website. It's related to wedding industry - Essay Example Customs dictate that they send out written announcements telling people about your engagement. These days they can make your announcements personally by making phone calls and sending emails. There is of course a much more convenient way to go about things. Sending out formal engagement announcement cards is a practical option which in cases of a long engagement should only be sent out to the people you want to invite to the wedding. Ordinarily the parents of the bride send out the announcement cards though couples have been known to send out their own cards as well. The writing on the cards is straightforward, never revealing where or when the wedding is going to be. Even if some brides see the tradition of newspaper announcements for their engagement or their wedding as a relic of the past. The difference between the two announcements is that engagement announcements quite a while before the wedding while the wedding announcement is printed a little afterwards. There is no denying that such announcements can have great sentimental value, especially for parents and grandparents who love the idea. Even if you’re not really interested in getting both your names printed in the paper, it’s better to just make them happy and save your energy for the battles ahead. If you really are not into getting it done just send your parents who want it published a picture and let them do the hard work for you. The best part is that you can choose any paper that works for you. You can either get the announcement published in the paper in your local hometown even if you haven’t been there in a while or you can even get it printed in the local paper which delivers right to your door. Of course it’s best to check each the requirements of each paper on their website. They can detail your names and occupations as well as the same for your parents. There is also a photograph in